The corner building of the Evangelical Church blends seamlessly with the surrounding functionalist tenement houses, distinguished only by the significantly taller windows of the church hall. The corner itself is accentuated by a slightly elevated prism tower, featuring the emblematic symbol of the church – the chalice. The structure serves multiple functions for the Czech Brethren Church and, in addition to the main hall, also houses a theater hall, columbarium, and two apartments.

The overall design of the main hall is atypical, as it is positioned diagonally with the altar located in the inner corner of the building, complemented by an arched gallery illuminated by perpendicular windows. The walls of the local theater hall are adorned with a mural painting designed by architect David Vávra, creating a metaphorical backdrop for the space.

The colony of family houses in Starý Spořilov was named after the Městská spořitelna (City Savings Bank) in Vinohrady, which celebrated its 25th anniversary by founding a housing cooperative. Thanks to this cooperative, one of the oldest garden cities was established, with its crowning jewel being the constructivist-style church, accentuated by a monumental staircase from Roztylské náměstí. The building was designed by Russian architect Nikolaj P. Paškovský, an employee of the design office led by Stanislav Režný.

The interior of the church is minimalist in design and can evoke the atmosphere of a manufacturing hall from the First Republic era. In the basement, there is a small theater hall with concrete ribs and walls made of luxfer prisms. The entire structure is dominated by a triple-arched tower with side pergolas, a clock face, and a protrusion prepared for an unrealized statue of St. Agnes.

The construction of the Evangelical Church, designed by architect Kozák, marked the end of a long search for suitable premises, as the Czech Brethren Church congregation in Prague 6 had not had a worthy sanctuary since its establishment in 1932. The new church, designed in the constructivist style, lightly draws inspiration from early Christian basilicas, as evidenced by interventions in the interior. These include the atypical blue mosaic framing the main nave and the arch in the apse, as well as the wooden beam ceiling adorned with gilded fields.

The most prominent feature in the exterior is the slightly protruding tower with clocks, topped by a luxfer bell tower. At the very top of the tower, a golden chalice shines within a glowing sun. Adjacent to the southern wall of the side nave is the rectory building, which houses the congregation room, office, and the pastor’s residence.

The massive church was initiated by a small group of locals who, due to the lack of sufficient space, formed an association with the goal of building a church in the upper part of their neighborhood. After twelve years of fundraising, construction finally began in 1940 according to the design by architect Jaroslav Čermák. However, by that time, the Wehrmacht units were marching through Prague. Despite the difficulties associated with the occupation, the building was consecrated in 1942.

The result is a single-nave hall with a wooden ceiling supported by a series of white pilasters. Natural light permeates through narrow side windows and a large circular window on the southern side. The play of light culminates in the vault above the presbytery, illuminated by 920 glass lenses. The dominant feature of the entire structure is a 55-meter-high tower topped with a stylized bell tower and an iron cross. According to the original plans, the tower, like the rest of the exterior, was intended to be richly decorated. However, further work was interrupted by fierce battles during the liberation of Prague.

The Hus Congregation in Smíchov was designed by architects Sobotka and Vachata in 1933, and two years later, its construction was realized by the Karlín firm of Václav Nekvasil. Thanks to a simple concrete structure, they were able to complete the construction in just ten months, after which the church was ceremoniously consecrated. The entrance from street level leads through a projecting pergola, and a pair of staircases leads into the prayer hall itself. All the windows in the main hall are grouped symbolically in threes, and the main facade rises steeply on three steps towards three doors and three windows.

On the roof above the main entrance, there is an Orthodox cross with two horizontal beams and one diagonal beam. The dominant feature is a 21-meter-high tower, which offers an extraordinary view of the city from its gallery. The tower is complemented by a clock face and the Husite symbol of the chalice.

Architect František Kubelka originally planned a much larger complex on the site of the current Hus Congregation in Holešovice, but due to financial difficulties, the entire project was not realized. However, the resulting building exceeded expectations. The most important space is the church itself, with its interior terminated by a glass-concrete apse that is unparalleled in Prague. The blue backlighting, combined with the marble cladding, can be seen even through the closed doors from the street, demonstrating the power of light in architecture.

Architect Kubelka also created a large underground columbarium, where up to five thousand deceased rest. It is one of the largest columbariums in Europe. The dominant feature of the functionalist facade is a Byzantine cross on the front and a modernist tower with a concrete chalice. During installation, the seven-meter symbol of the Hussite Church was gilded and became a dominant feature not only of the church but also of the entire surrounding area.